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Labour of Lust is an album by British singer-songwriter Nick Lowe. Produced by Lowe, it was released in 1979 by Radar Records in the UK and Columbia Records in the US. It was recorded and released at the same time as Dave Edmunds' Repeat When Necessary and features the same Rockpile personnel. It led off with "Cruel to Be Kind," Lowe's only ...
When Lowe's first Grade 13 class wrote the Ontario Departmentals in 1966, it received the highest average of all secondary schools in Windsor. [1] In the 1960s, enrolment was over 1600 students, but by the end of the 1990s, it had decreased considerably. The school closed in June 2000. [2]
The marriage ended in 1990, but they remained friends, and Lowe remained close to the Carter/Cash family. He played and recorded with Johnny Cash, and Cash recorded several of Lowe's songs. Lowe and Carter's 1979 wedding was filmed and the footage became the basis for the promotional video clip for "Cruel to Be Kind".
The video for "Cruel to be Kind" was the 67th video to air on MTV and is a combination of actual footage of Lowe's wedding to Carlene Carter, [12] with a humorous re-enactment of the wedding, featuring Carter as herself, Dave Edmunds as their limo driver, [12] Terry Williams as the photographer, Billy Bremner as the baker, and Jake Riviera ...
The song was a commercial failure; Lowe commented, "When the Brinsleys split up, that should've been the end of it. That's what happens to bands' songs when they split up, the songs go in the dustbin of history. The song was never a hit, it never caused much of a stir at all when we did it originally." [4]
"I Knew the Bride (When She Used to Rock 'n' Roll)" is a song written by Nick Lowe and first popularised by Dave Edmunds. It was released on Edmunds's 1977 album Get It and a year later in a live version by Nick Lowe's Last Chicken in the Shop on Live Stiffs Live.
Dan Raper of PopMatters found that the "best thing about them is their youth, and from it comes their energy", also remarking that "most of the time these songs ride a catchy line between sleazy synths and pop-punk. The songwriting's pretty similar throughout – stomping uptempo rock, with simple 4/4 drums and snippets of radio-catchy chorus ...
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