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A cel, short for celluloid, is a transparent sheet on which objects are drawn or painted for traditional, hand-drawn animation. Actual celluloid (consisting of cellulose nitrate and camphor) was used during the first half of the 20th century. Since it was flammable and dimensionally unstable, celluloid was largely replaced by cellulose acetate.
Ariel is a fictional character and the lead protagonist of Walt Disney Pictures' twenty-eighth animated film The Little Mermaid.She subsequently appears in the film's prequel television series, direct-to-video sequel The Little Mermaid II: Return to the Sea and direct-to-video prequel The Little Mermaid: Ariel's Beginning.
An animated cartoon or simply cartoon is an animated film, usually short, featuring an exaggerated visual style. The style takes inspiration from comic strips, gag cartoons, and other non-animated or still cartoons. It often features anthropomorphic animals, superheroes, or the adventures of human protagonists.
Before animation begins, a preliminary soundtrack or scratch track is recorded so that the animation may be more precisely synchronized to the soundtrack. Given the slow manner in which traditional animation is produced, it is almost always easier to synchronize animation to a preexisting soundtrack than it is to synchronize a soundtrack to pre-existing animation.
Onion skin of frame 7 of this image showing previous 3 frames. In 2D computer graphics, onion skinning is a technique used in creating animated cartoons and editing films to view several frames at once. This way, the animator or editor can make decisions on how to create or change an image based on the previous image in the sequence.
The artist is drawing on a transparent easel, onto which the film projector at the right is beaming an image of a single film frame. Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action.
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Various parts of the artwork layers are left transparent to allow other layers to be seen behind them. The movements are calculated and photographed frame by frame, with the result being an illusion of depth by having several layers of artwork moving at different speeds: the further away from the camera, the slower the speed.
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