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Frames 2–4 are smear frames, those being elongated inbetweens. In animation, a smear frame is a frame used to simulate motion blur. Smear frames are used in between key frames. [1] This animation technique has been used since the 1940s. [1] Smear frames are used to stylistically visualize fast movement along a path of motion. [2] [3] [4]
It also retains backward compatibility with non-animated PNG files. The first frame of an APNG file is stored as a normal PNG stream, so most standard PNG decoders are able to display the first frame of an APNG file. The frame speed data and extra animation frames are stored in extra chunks (as provided for by the original PNG specification).
FlipaClip allows users to create 2D frame-by-frame animations. [4] [5] Besides the basic drawing features, users can use a customizable rule tool; import images, videos and audio files; create multiple frame layers at various frames per second; [6] [7] and export their work in various file formats.
2.2 Popeye the Sailor cartoons. 2.3 Looney Tunes. 3 Universal Pictures. Toggle Universal Pictures subsection. 3.1 Oswald the Lucky Rabbit. 4 MGM cartoons.
Frame frequency often varies depending on animation style and is an artistic choice. Animation "on twos" has been used for over 100 years; Fantasmagorie (1908), widely considered the first fully animated movie, was animated on twos. Modern animation uses various techniques to adapt frame rates. Slow movements may be animated on threes or fours.
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Rotoscoping is a technique patented by Max Fleischer in 1917 where animators trace live-action movement, frame by frame. [78] The source film can be directly copied from actors' outlines into animated drawings, [ 79 ] as in The Lord of the Rings (US, 1978), or used in a stylized and expressive manner, as in Waking Life (US, 2001) and A Scanner ...
Simple graphics, line drawings, cartoons, and grey-scale photographs typically need fewer than 256 colors. Each frame can designate one index as a "transparent background color": any pixel assigned this index takes on the color of the pixel in the same position from the background, which may have been determined by a previous frame of animation.