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Wedding Tapa, 19th century, from the collection of Los Angeles County Museum of Art. Tapa cloth (or simply tapa) is a barkcloth made in the islands of the Pacific Ocean, primarily in Tonga, Samoa and Fiji, but as far afield as Niue, Cook Islands, Futuna, Solomon Islands, Java, New Zealand, Vanuatu, Papua New Guinea and Hawaii (where it is called kapa).
Mary Jewett Pritchard, 1944. Mary Jewett Pritchard (September 17, 1905 – June 6, 1992) was an American Samoan textile artist. Pritchard is widely credited with reviving the art of siapo, the Samoan version of tapa, handmade cloth created by pounding the bark of plants.
The architecture of Samoa is characterised by openness, with the design mirroring the culture and life of the Samoan people who inhabit the Samoa Islands. [1] Architectural concepts are incorporated into Samoan proverbs , oratory and metaphors, as well as linking to other art forms in Samoa, such as boat building and tattooing .
Feu'u emigrated to New Zealand in 1966 after growing up in the village of Poutasi, Western Samoa. [2] He always wanted to be an artist and noted the difference of how art was viewed between Samoa and New Zealand, with 'beautifully made, functional canoes and houses' being art in Samoa and in New Zealand art was 'something extra special not to be touched'.
Samoan gafa (pedigree, ancestors, descent) is central to family kinship and will usually commence from the person who first brought the name into prominence and caused it to be respected. It does not necessarily mean that the family commenced from the institution of a name or that the individual holding the title was the founder of the family.
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
The puletasi (Samoa) or puletaha (Tonga) is a traditional item of clothing worn by Samoan, Tongan, and Fijian women and girls. Today, puletasi is used as a female full dress. It is most commonly worn to church and formal cultural event
Manaia pounamu carving. The Manaia is a mythological creature in Māori culture, and is a common motif in Māori carving [1] and jewellery.. The Manaia is usually depicted as having the head of a bird and the tail of a fish and the body of a man, though it is sometimes depicted as a bird, a serpent, or a human figure in profile.