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This translation retains the original iambic verse by Sophocles. Antigona Furiosa, written in the period of 1985-86 by Griselda Gambaro, is an Argentinian drama heavily influenced by Antigone by Sophocles, and comments on an era of government terrorism that later transformed into the Dirty War of Argentina.
Sophocles is known for innovations in dramatic structure; deeper development of characters than earlier playwrights; [7] and, if it was not Aeschylus, the addition of a third actor, [33] which further reduced the role of the chorus, and increased opportunities for development and conflict. [7]
Antigone, also known as The Antigone of Sophocles, is an adaptation by the German dramatist Bertolt Brecht of Hölderlin's translation of Sophocles' tragedy. It was first performed at the Chur Stadttheater in Switzerland in 1948, with Brecht's second wife Helene Weigel , in the lead role. [ 1 ]
Sophocles influenced the development of drama, most importantly by adding a third actor (attributed to Sophocles by Aristotle; to Aeschylus by Themistius), [147] thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights. [148]
Electra, also Elektra or The Electra [1] (Ancient Greek: Ἠλέκτρα, [2] Ēlektra), is a Greek tragedy by Sophocles.Its date is not known, but various stylistic similarities with the Philoctetes (409 BC) and the Oedipus at Colonus (406 BC) lead scholars to suppose that it was written towards the end of Sophocles' career.
Aeschylus Sophocles Euripides Ancient Greek tragedies were most often based upon myths from the oral traditions, exploring human nature, fate, and the intervention of the gods. They evoke catharsis in the audience, a process through which the audience experiences pity and fear, and through that emotional engagement, purges these emotions.
Another novelty of Euripidean drama is represented by the realism with which the playwright portrays his characters' psychological dynamics. The hero described in his tragedies is no longer the resolute character as he appears in the works of Aeschylus and Sophocles, but often an insecure person, troubled by internal conflict. [citation needed]
Long, A. A. 1968. Language and Thought in Sophocles: A Study of Abstract Nouns and Poetic Technique. University of London Classical Studies 6. London: Athlone. Schein, S. L. 2006. "The Iliad and Odyssey in Sophocles’ Philoctetes: Generic Complexity and Ethical Ambiguity". In Greek Drama III. Essays in Honour of Kevin Lee. Edited by J. F ...