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The word "rendering" (in one of its senses) originally meant the task performed by an artist when depicting a real or imaginary thing (the finished artwork is also called a "rendering"). Today, to "render" commonly means to generate an image or video from a precise description (often created by an artist) using a computer program. [1] [2] [3] [4]
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symbolic music modeling systems and computer-aided composition; social and economic realities of the consumption of music in Western societies; improvisation in music, especially where it is facilitated by music technology; music digital libraries and collections architectures; future of music distribution, the music industry, and music libraries
The science of analysis. Arriving at an optimal or realistic decision based on existing data. In the video industry it is often used for analyzing video to detect and determine temporal events not based on single image. It has a wide range of application in safety and security to examine video for specific data, behavior, objects or attitude ...
The first electronic music visualizer was the Atari Video Music introduced by Atari Inc. in 1977, and designed by the initiator of the home version of Pong, Robert Brown. The idea was to create a visual exploration that could be implemented into a Hi-Fi stereo system. [1] In the United Kingdom music visualization was first pioneered by Fred Judd.
Previsualization (also known as previsualisation, previs, previz, pre-rendering, preview or wireframe windows) is the visualizing of scenes or sequences in a movie before filming. It is a concept used in other creative arts, including animation, performing arts, video game design, and still photography.
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