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Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Beauty, together with art and taste, is the main subject of aesthetics, one of the major branches of philosophy. [3] [4] Beauty is usually categorized as an aesthetic property besides other properties, like grace, elegance or the sublime. [5] [6] [7] As a positive aesthetic value, beauty is contrasted with ugliness as its
Aestheticism challenged the values of mainstream Victorian culture, as many Victorians believed that literature and art fulfilled important ethical roles. [3] Writing in The Guardian, Fiona McCarthy states that "the aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Britain in the 19th century." [4]
The first part of The Sense of Beauty is devoted to the development of a definition of beauty. Santayana rejects the previous notion of beauty as ″the symbol of divine perfection″ and instead builds his theory of beauty on a re-definition of aesthetics being concerned with ″the perception of values″ (§1).
Cultural significance is said to be 'embodied' in the fabric, setting, use, associations, and meanings of a place, and includes aesthetic, historic, scientific, social and spiritual values for past, present and future generations. In order to preserve such values a 'cautious approach' of minimum intervention is advocated. [5] [6] [7]
It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West." [ 3 ] Another description of wabi-sabi by Andrew Juniper notes that, "If an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could ...
A more systematic examination of the several arts (corresponding to that of Lessing) is to be found in the Cours de belles lettres of Charles Batteux (1765), in which the meaning and value of the imitation of nature by art are further elucidated, and the arts are classified (as by Lessing) according as they employ the forms of space or those of ...
The Creation of Adam, from Michelangelo’s Sistine Chapel ceiling – an example of high culture. In a society, high culture encompasses cultural objects of aesthetic value which a society collectively esteems as being exemplary works of art, [1] as well as the intellectual works of literature and music, history and philosophy which a society considers representative of their culture.