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The sociological practice of articulation, as described by Antonio Gramsci and Stuart Hall, among others, refers to the appropriation of elements of culture by various social groups. [6] Johnson-Eilola and Selber connect assemblage, remix, and articulation as examples of meaning being situated in a specific material and social context.
Any discussion of program music brings to mind Walt Disney's animated features Fantasia (1940) and Fantasia 2000 (1999), in which the Disney animators provided graphic visualisation of several famous pieces of program music. However, not all the pieces used in the films were particularly programmatic, and in most cases, the narratives ...
In the same piece, the lyrics "I've got no rhythm; I just keep losing my beat" fall on off beats to create the impression that he is out of time. Queen also uses word painting through music recording technology in their song " Killer Queen " where a flanger effect is placed on the vocals during the word "laser-beam" in bar 17.
Writing for any instrument requires a composer or arranger to know the instrument's properties, such as: the instrument's particular timbre, or range of timbres;; the range of pitches available on the instrument, as well as its dynamic range;
In classical music, it is relatively rare for a work to be written in collaboration by multiple composers. This contrasts with popular music, where it is common for more than one person to contribute to the music for a song. Nevertheless, there are instances of collaborative classical music compositions.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Some definitions refer to music as a score, or a composition: [18] [7] [19] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. According to Edward E. Gordon the process of reading music , at least for trained musicians, involves a process, called "inner hearing" or "audiation ...
Moreover, in direct support of Rochlitz's account, Mozart's first biographer, in collaboration with Mozart's wife, related a congruent description of how Mozart composed: Mozart wrote everything with a facility and rapidity, which perhaps at first sight could appear as carelessness or haste; and while writing he never came to the klavier.