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The English "hair's breadth" [6] has a direct analogue in the formal Burmese system of Long Measure. A "tshan khyee", the smallest unit in the system, is literally a "hair's breadth". 10 "tshan khyee" form a "hnan" (a Sesamum seed), 60 (6 hnan) form a mooyau (a species of grain), and 240 (4 mooyau) form an "atheet" (literally, a "finger's ...
The Andre Walker Hair Typing System, also known as The Hair Chart, is a classification system for hair types created in the 1990s by Oprah Winfrey's stylist Andre Walker. [ 1 ] [ 2 ] [ 3 ] It was originally created to market Walker's line of hair care products but has since been widely adopted as a hair type classification system .
The original hair type chart, also known as the hair typing system, was created by Andre Walker, Oprah Winfrey's hairstylist, in the 1990s. He debuted the system on Winfrey's show to promote his ...
The plot includes the storyline, and is more; it includes how elements in the story interact to create complexity, intrigue, and surprise. The plot is often created by having separate threads of storyline interact at critical times and in unpredictable ways, creating unexpected twists and turns in the overall storyline.
Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2] Story structures can vary culture to culture and throughout history. The same named story structure may also change over time as the culture also changes.
It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Themes are more abstract than other elements and are subjective: open to discussion by the audience who, by the story's end, can argue about which big ideas or messages were explored, what conclusions can be drawn, and which ones the work's creator intended. Thus, the audience may come to different conclusions about a work's themes than what ...