Search results
Results from the WOW.Com Content Network
This article covers the phonological system of South African English (SAE) as spoken primarily by White South Africans.While there is some variation among speakers, SAE typically has a number of features in common with English as it is spoken in southern England (in places like London), such as non-rhoticity and the TRAP – BATH split.
The accent of Anglophone coloured people is influenced by their multiracial background, being descended from Europeans (British, German, and Afrikaners), blacks (Zulu and Xhosa), Indians (both Dravidian and Indo-Aryan) as well as other mixed people like St. Helenians, Mauritian Creoles and some Griquas. This has influenced the accent to be one ...
The Liverpool accent, known as Scouse, is an exception to the Lancashire regional variant of English. It has spread to some of the surrounding towns. Before the 1840s, Liverpool's accent was similar to others in Lancashire, though with some distinct features due to the city's proximity to Wales.
Some sources distinguish "diacritical marks" (marks upon standard letters in the A–Z 26-letter alphabet) from "special characters" (letters not marked but radically modified from the standard 26-letter alphabet) such as Old English and Icelandic eth (Ð, ð) and thorn (uppercase Þ, lowercase þ), and ligatures such as Latin and Anglo-Saxon Æ (minuscule: æ), and German eszett (ß; final ...
In sociolinguistics, an accent is a way of pronouncing a language that is distinctive to a country, area, social class, or individual. [1] An accent may be identified with the locality in which its speakers reside (a regional or geographical accent), the socioeconomic status of its speakers, their ethnicity (an ethnolect), their caste or social class (a social accent), or influence from their ...
Social identity theory is a theory that describes intergroup behaviour based on group membership. Markers of group membership can be arbitrary, e.g., coloured vests, a flip of a coin, etc., or non-arbitrary, e.g., gender, language, race, etc. [4] Accent is a non-arbitrary marker for group membership that is potentially more salient than most other non-arbitrary markers such as race [5] and ...
The tradition of Received Pronunciation is usually credited to the British phonetician Daniel Jones.In the first edition of the English Pronouncing Dictionary (1917), he named the accent "Public School Pronunciation"; for the second edition in 1926 he wrote: "In what follows I call it Received Pronunciation, for want of a better term."
In the 1990s, dialect coaches became significant in the film industry as more filmmakers began employing them to train actors to speak in accents. The Los Angeles Times described the general training approach, "It's a process that involves repetition, studying audio- and videotapes, visits to locations where the characters live, along with breathing and vocal exercises."