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Schmidt was born in Middletown, New York, on September 2, 1889, and was named in honor of Dr. Valentine Mott, a friend of the Schmidt family.He was a son of Edward Mott Schmidt (1838–1909) and, his third wife, Frances M. (née Jennette) Schmidt (1864–1940), and grew up in a brownstone at 671 Park Place, near Prospect Park and Grand Army Plaza.
Cantilevered stairs, or floating stairs, are a type of staircase. A metal safety rail has been added to the outside of this cantilevered stone staircase. A cantilever is a beam , which is anchored at only one end.
Vanderbilt, Marbury, and Morgan each hired Mott B. Schmidt (1889–1977), [12] an American architect best known for his buildings in the American Georgian Classical style, [13] to build, or in Vanderbilt's case, renovate homes in the neighborhood. [14]
Schroeder stairs can be perceived in two ways, depending on whether the viewer considers A or B to be the closer wall. Schroeder stairs (Schröder's stairs) is an optical illusion which is a two-dimensional drawing which may be perceived either as a drawing of a staircase leading from left to right downwards or the same staircase only turned upside down, a classical example of perspective ...
The firm continued on projects through to its merger with Mott, Hay and Anderson in 1989. Later projects include: the Great Ouse flood protection scheme (1950s) the Ness Bridge in Inverness (1961) [9] the East Java irrigation project in Indonesia (1983) feasibility studies for the Lesotho Highlands Water project (1986)
The chapel was commissioned by the Sisters of Loretto for their girls' school, Loretto Academy, in 1873. Archbishop Jean-Baptiste Lamy had brought in two French architects, Antoine Mouly and his son Projectus, to work on the St. Francis Cathedral project, and suggested that the Sisters could make use of their services on the side to build a much-needed chapel for the academy. [4]
Expressionist architecture was individualistic and in many ways eschewed aesthetic dogma, [6] but it is still useful to develop some criteria which defines it. Though containing a great variety and differentiation, many points can be found as recurring in works of Expressionist architecture, and are evident in some degree in each of its works:
Josef Albers created the large stained-glass window above the stairs. [1] Dörte Helm, who was a student in the weaving workshop, created a large curtain for the house. [4] Hinnerk Scheper and the mural painting workshop designed the interior color schemes. [1] Marcel Breuer designed the chairs and tables. [1]
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