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A comprehensive list of characters created by Hanna-Barbera, including brief descriptions and notable appearances.
William Denby "Bill" Hanna and Joseph Roland "Joe" Barbera met at the Metro-Goldwyn-Mayer (MGM) studio in 1938, while working at its animation unit.Having worked at other studios since the early 1930s, they solidified a six decade working partnership, leading to their very first collaborative success, Tom and Jerry, centering on the madcap comical adventures of a cat and a mouse.
Warner Bros. has since acquired Hanna-Barbera Productions via Turner Entertainment, as well as Lorimar Productions, which produced The Waltons.) Despite critical acclaim, however, These Are the Days was a ratings failure, as were Devlin and Korg: 70,000 B.C.; all three series were cancelled by the end of the year.
Archie Comics' Hanna-Barbera Presents #8 spoofing Marvel Comics' Fantastic Four #1. A single issue of a Frankenstein Jr. and The Impossibles comic was released by Gold Key Comics in 1966 as a tie-in to the TV series, and the contents were reprinted in The Impossibles Annual by Atlas Publishing & Distributing Co. Ltd, UK in 1968. [7]
NBC didn't like the choices that had been made. They decided that they wanted the cast to be younger. So Hanna-Barbera had to start all over again." [6] In casting their lead, Hanna-Barbera and NBC eventually found their ideal "Huck" in 14-year-old veteran child actor Michael Shea, reportedly selecting him out of 1,300 boys.
Scooby-Doo! Mystery Incorporated (also known as Scooby-Doo!Mystery, Inc. or simply Mystery Incorporated) is an American animated horror comedy television series serves as the eleventh incarnation of the Scooby-Doo media franchise created by Hanna-Barbera, as well as the first that was not originally run on Saturday mornings. [1]
It's the Hair Bear Bunch! was one of Hanna-Barbera's more successful shows. [39] However, in The Encyclopedia of Guilty Pleasures: 1001 Things You Hate to Love, three different authors labeled the series as one of Hanna-Barbera's "lesser-known efforts" but ultimately called it a "guilty pleasure" and enjoyed that it had its own score. [40]
Due to the departure of Hanna-Barbera from production, Lucky Luke finds himself, in this series, free from all the constraints imposed by American television for the first series. Ethnic minorities are back, placed in their historical context. [5]