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"Arriba en la Cordillera" (translanted: "Up in the Mountain Range") is a song by the Chilean singer-songwriter Patricio Manns released as single in 1965 and included in the 1966 studio album Entre Mar y Cordillera. It reached #1 on the Chilean charts and was chosen as the most popular song at Huaso de Olmué Festival in 2009.
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs , which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891.
52 chorale preludes, Op. 67, is a collection of 52 settings of popular Protestant hymns for organ by Max Reger, composed between 1900 and 1902.Originally published in three volumes between 1900 and 1903 with the cover title "52 Choralvorspiele für Orgel" (52 chorale preludes for organ), the full title of the collection was "Zweiundfünfzig leicht ausführbare Vorspiele zu den ...
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
The Second Hymn is composed in a different key from the First Hymn. The central note (mese) of the first section is D (in conventional notation), rather than C, making it the (Greek) Lydian mode. [20] Below the mese are the notes A and B ♭, and above it are E, E ♭, F, and G. The notes used in the second section are different from the first ...
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
The famed English composer and music historian Ralph Vaughan Williams (1872–1958) referred to this as one of the greatest hymn tunes. As the musical editor Vaughan Williams included it in The English Hymnal in 1906. It is now published in 195 hymnals worldwide, including The New English Hymnal. It alternates phrases of 8 and 7 notes.
The following are the English and Welsh versions of the hymn, as given in the standard modern collections, based on a verse in the Book of Isaiah (Isaiah 58:11).These English lyrics may also be interpreted as referencing the Eucharist (specifically as described in the Bread of Life Discourse) and the Holy Spirit (the Water of Life), making it a popular hymn during communion prayer.