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Spokeo utilizes deep web crawlers to aggregate data. [9] Searches can be made for a name, email, phone number, username or address. The site allows users to remove information about themselves through an "opt-out" process that requires the URL of the listing and a valid email address. [10]
It can also tracked online reviews and contacted customers to solicit for positive reviews, but could also hide legitimate criticisms about a company, which the Fatrik had stated is a legitimate criticism of its business model. [16] The company served industries including healthcare, retail, automotive, restaurants, and property management.
PeekYou is a people search engine that indexes people and their links on the web. Founded in April 2006 by Michael Hussey, PeekYou claims that they have indexed over 250 million people, mostly in the United States and Canada.
Spokeo, Inc. v. Robins, 578 U.S. 330 (2016), was a United States Supreme Court case in which the Court vacated and remanded a ruling by United States Court of Appeals for the Ninth Circuit on the basis that the Ninth Circuit had not properly determined whether the plaintiff has suffered an "injury-in-fact" when analyzing whether he had standing to bring his case in federal court. [1]
PeopleFinders is a people search company, providing individuals with various types of public records that will allow them to obtain contact information for most private citizens in the United States.
Chen made sure the page actually worked and that there would be no issues with the uploading and playback process. Karim was a programmer and helped in making sure the initial website was put together properly and helped in both design and programming. [17] As of June 2005, YouTube's slogan was "Your Digital Video Repository". [18]
WatchMojo's YouTube channel was created on 25 January 2007, [‡ 1] and its reach grew rapidly. Its videos were viewed over 13 million times that year and over 28 million the next. [13] In 2012, Karbasfrooshan decided WatchMojo should focus on YouTube and Top 10 videos, where he believed there was a bigger audience. That year, they became ...
By 2012, the CMU business editor had characterized YouTube as "a free-to-use... promotional platform for the music labels", [139] and in 2013 the videos of the 2.5% of artists categorized as "mega", "mainstream" and "mid-sized" received 90.3% of the relevant views on YouTube and Vevo. [140]