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The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
Blues scale on C. Play ... Min'yō scale on D, equivalent to yo scale on C, with brackets on fourths. Play ...
The Hale Center High School marching band competes in the preliminary round of the UIL State Marching Band Championships on Nov. 8, 2022 at the Alamodome in San Antonio. Wednesday, Nov. 6 ...
The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
The band's releases, live shows, and work schedule have resulted in the group being called the "Hardest Working Band in Northern Ohio." [citation needed] Their tag line is "Our Music is better than it sounds." [2] Formed in 1989 in Cleveland, Ohio, Colin Dussault's Blues Project is a harmonica-driven, blues-based rock 'n' soul band. [3]
The blues scale is a very particular 6-note scale, and it would be ridiculous to NOT include it on a page about hexatonic scales. As for "C D Eb F G A Bb C", yes that's a mode of the major scale and it's called the dorian mode, though I have never, EVER heard anybody call the dorian mode some sort of "blues scale"!
Roomful of Blues was born in Westerly, Rhode Island, United States, in 1967 when guitarist Duke Robillard and pianist Al Copley started a band that played tough, no-holds-barred Chicago blues. [4] They soon began exploring the swinging, jumping blues, R&B and jazz of the 1940s and 1950s, and added a horn section (including Rich Lataille) in 1970.