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{{Iliad|language|book|first line in range|last line in range}} Link to the Homer's Iliad on Perseus Project by book and line or range of lines. Adding the last line in range does not change the link URL, since the number of lines on one page is determined by Perseus. The first parameter is language.
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In The Singer of Tales (1960), Lord presents likenesses between the tragedies of the Achaean Patroclus in the Iliad and the Sumerian Enkidu in the Epic of Gilgamesh and claims to refute, with "careful analysis of the repetition of thematic patterns", that the Patroclus storyline upsets Homer's established compositional formulae of "wrath, bride ...
The phrase is derived from the sixth book of Homer's Iliad, in which it is used in a speech Glaucus delivers to Diomedes. During a battle between the Greeks and Trojans, Diomedes is impressed by the bravery of a mysterious young man and demands to know his identity. Glaucus replies: "Hippolochus begat me.
An analysis of the structure and vocabulary of the Iliad and Odyssey shows that the poems contain many regular and repeated phrases; indeed, even entire verses are repeated. Thus according to the theory, the Iliad and Odyssey may have been products of oral-formulaic composition , composed on the spot by the poet using a collection of memorized ...
The Epic Cycle (Ancient Greek: Ἐπικὸς Κύκλος, romanized: Epikòs Kýklos) was a collection of Ancient Greek epic poems, composed in dactylic hexameter and related to the story of the Trojan War, including the Cypria, the Aethiopis, the so-called Little Iliad, the Iliupersis, the Nostoi, and the Telegony.
Aristeiai abound in Homer's Iliad, [6] the peak being Achilles' aristeia in Books 20–22 where he almost single-handedly routs the Trojan army and then goes on to kill its champion Hector. Achilles' "extended and phenomenal solo performances in battle" [7] are shown in the epic's "longest and most murderous" series of events.