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"The Ecstasy of Gold" (Italian: "L'estasi dell'oro") is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco ( Eli Wallach ) is frantically searching a cemetery for the grave that holds $200,000 in gold coins.
The film's famous climax, a three-way Mexican standoff, begins with the melody of "The Ecstasy of Gold" and is followed by "The Trio". The main theme was a hit in 1968. The soundtrack album was on the charts for more than a year, [2] reaching No. 4 on the Billboard pop album chart and No. 10 on the black album chart. [4]
Ennio Morricone. This is a selected list of music artists who have covered or sampled one or more songs which were composed by the Italian composer Ennio Morricone.Over the past 7 decades, Ennio Morricone has composed over 500 scores for cinema and television, as well as over 100 classical works.
The American punk rock group Ramones were known to play a recording of this piece at the beginning of their concerts, while at the end of their shows, a snippet of "The Ecstasy of Gold" was played. [12] The song was used in Argentinian and Portuguese TV commercials for Camel Cigarettes in 1981.
Film Music, Vol. 1: The Collection (1987) Film Music, Vol. 2 (1988) Once Upon a Time in the West: 20 Famous Film Tracks of Ennio Morricone (1989) Zijn Grootste Successen (1990) Chamber Music (1990) The Legendary Italian Westerns (1990) Original Film Musik Von Ennio Morricone (1993) 93 Movie Sounds (1994) Classic Ennio Morricone (1994)
While punk rock band The Ramones used "The Ecstasy of Gold" as a closing theme during their live performances, Metallica uses "The Ecstasy of Gold" as the introductory music for its concerts since 1983. [57] [58] This composition is also included on Metallica's live symphonic album S&M as well as the live album Live Shit: Binge & Purge.
Edda Sabatini (born February 16, 1935), known as Edda Dell'Orso, [a] is an Italian singer known for her collaboration with composer Ennio Morricone, for whom she provided wordless vocals to a large number of his film scores. [1]
Passion: Music for The Last Temptation of Christ (1989) Long Walk Home: Music from the Rabbit-Proof Fence (2002) (also contains elements from previously recorded vocal tracks) The first twelve tracks on Disc 2 of the deluxe edition of New Blood (2011) are instrumental versions of the first twelve tracks on the main album
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