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The timbrel or tabret (also known as the tof of the ancient Hebrews, the deff in Arabic, the adufe of the Moors of Portugal) was the principal percussion instrument of the ancient Israelites. It resembled either a frame drum [ 2 ] or a modern tambourine .
An electronic musical instrument may be multitimbral, [1] which means it can produce two or more timbres (also called sounds or patches) at the same time. Instruments which may be multitimbral include synthesizers, samplers, and music workstations. A multitimbral instrument might be configurable in a variety of ways:
The riq (also spelled riqq or rik) is a type of tambourine used as a traditional instrument in Arabic music. It is an important instrument in both folk and classical music throughout the Arabic-speaking world. The instruments are widely known as shakers. A traditional Central Asian musician from the 1860s or 1870s, holding up his dayereh.
The composition of timbre-centered music in the nomadic communities of Tuva involves mimicry of sounds heard in the environment. Timbral listening is a fundamental component of listening to, understanding and being able to correctly perform this music using vocal techniques such as throat singing "khoomei" and harmonic producing instruments such as the jaw harp, bzaanchy, shoor, qyl qiyak, qyl ...
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Spectrogram of the first second of an E9 suspended chord played on a Fender Stratocaster guitar. Below is the E9 suspended chord audio: In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone.
In later music, the instrument made of ox horn fills the gap between the flageolet and the recorder. [60] The mouthpiece of the instrument is at the top of the wide end of the horn; the large hole has been filled in with a blowing hole left at the top. A soundhole to create the sound is cut into the sidewall of the horn, along with fingerholes ...
A sesheshet-type sistrum, shaped like a naos, Twenty-sixth Dynasty (ca. 580–525 BCE). The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddess Hathor, with the U-shape of the sistrum's handle and frame seen as resembling the face and horns of the cow goddess. [9]