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  2. 50 Ways to Leave Your Lover - Wikipedia

    en.wikipedia.org/wiki/50_Ways_to_Leave_Your_Lover

    "50 Ways to Leave Your Lover" is a song by the American singer-songwriter Paul Simon. It was the second single from his fourth studio album, Still Crazy After All These Years (1975), released on Columbia Records. Backing vocals on the single were performed by Patti Austin, Valerie Simpson, and Phoebe Snow.

  3. We Did the Impossible and Ranked Taylor Swift’s 50 ... - AOL

    www.aol.com/did-impossible-ranked-taylor-swift...

    In this year of our lord 2024, as we await the release of Taylor Swift's eleventh studio album, The Tortured Poets Department (dropping April 19, in case you were somehow unaware), it's pretty ...

  4. Do You Know What Every Room in Taylor Swift's Lover House ...

    www.aol.com/lifestyle/know-every-room-taylor...

    The Lover House is one such obstacle. When the Lover album was first released in 2019, no one would've guessed that a single image from its title track's music video would go on to feature in ...

  5. List of songs by Taylor Swift - Wikipedia

    en.wikipedia.org/wiki/List_of_songs_by_Taylor_Swift

    [2] [3] Her early-career songwriting outputs featured collaborations with Liz Rose, who co-wrote with Swift for the albums Taylor Swift (2006), Fearless (2008), and Red (2012). [4] She was the sole writer of the majority of Fearless and Red , [ 5 ] [ 6 ] and she wrote her third studio album, Speak Now , solely herself. [ 7 ]

  6. All of Taylor Swift’s Literary References: From Her Debut to ...

    www.aol.com/entertainment/taylor-swift-literary...

    Dia Dipasupil/Getty Images Before The Tortured Poets Department was ever a glimmer in Taylor Swift’s eye, the singer peppered her music with references to classic literature. As early as 2006 ...

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    A 2008 medley by the comedy group the Axis of Awesome, called "Four Chords", demonstrated the ubiquity of the progression in popular music, for comic effect; for instance, as the progression is played as an ostinato, sometimes it is used as a vi–IV–I–V (i. e. the "pessimistic" inversion). It does not accurately represent the chord ...

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