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Mestizos as illustrated in the Carta Hydrographica y Chorographica de las Yslas Filipinas, 1734. In the Philippines, Filipino Mestizo (Spanish: mestizo (masculine) / mestiza (feminine); Filipino/Tagalog: Mestiso (masculine) / Mestisa (feminine)), or colloquially Tisoy, is a name used to refer to people of mixed native Filipino and any foreign ancestry. [1]
Sangley (English plural: Sangleys; Spanish plural: Sangleyes) and Mestizo de Sangley (Sangley mestizo, mestisong Sangley, chino mestizo or Chinese mestizo) are archaic terms used in the Philippines during the Spanish colonial era to describe respectively a person of pure overseas Chinese ancestry and a person of mixed Chinese and native Filipino ancestry. [1]
Spanish father and Albina mother, torna atrás child.Miguel Cabrera, 1763 Mexico. Torna atrás (Spanish pronunciation: [toɾnaˈtɾas]) or tornatrás is a term used in 18th century Casta paintings to portray a mestizo or mixed-race person who showed phenotypic characteristics of only one of the "original races", such as European or Amerindian ancestry. [1]
The enslaved Africans that were brought to El Salvador during the colonial times, eventually came to mix and merged into the much larger and vaster Mestizo mixed European Spanish/Native Indigenous population creating Pardo or Afromestizos who cluster with Mestizo people, contributing into the modern day Mestizo population in El Salvador, thus ...
Pages in category "Filipino people of Spanish descent" The following 200 pages are in this category, out of approximately 342 total. This list may not reflect recent changes .
Under the administration of Ferdinand Marcos, Chinese Filipinos called "lao cao" (Philippine Hokkien Chinese: 老猴; Pe̍h-ōe-jī: lāu-kâu, meaning "old people" or literally, "old monkey" (a comedic reference to the Monkey King (Sun Wukong) from the old famous Chinese classical novel, Journey to the West)), i.e., Chinese in the Philippines ...
In the beginning, Rizal and his fellow ilustrados preferred not to win independence from Spain, instead they wanted legal equality for both peninsulares and natives—indios, insulares, and mestizos, among others—in the economic reforms demanded by the ilustrados were that "the Philippines be represented in the Cortes and be considered a ...
He also created albums of illustrations of native costumes. This he did primarily to sell to collectors. Such skills made Domingo one of the most famous and sought-after artists of his time in the Philippines. Domingo is regarded highly in the history of Filipino art and is credited with establishing academic courses in art in the Philippines. [2]