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But, while this may represent the origin of the term's usage in modern English, the word "logopoeia" itself was not coined by Pound; it already existed in classical Greek. [ 3 ] Logopoeia is the most recent kind of poetry and does not translate well, according to Pound [ citation needed ] , though he also claimed it was abundant in the poetry ...
ABC of Reading [1] is a book by the 20th-century Imagist poet Ezra Pound published in 1934. In it, Pound sets out an approach by which one may come to appreciate and understand literature (focusing primarily on poetry). Despite its title the text can be considered as a guide to writing poetry.
Pound photographed in 1913 by Alvin Langdon Coburn. Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II.
Cathay (1915) is a collection of classical Chinese poetry translated into English by modernist poet Ezra Pound based on Ernest Fenollosa's notes that came into Pound's possession in 1913. At first Pound used the notes to translate Noh plays and then to translate Chinese poetry to English, despite a complete lack of knowledge of the Chinese ...
This is a list of persons, places, events, etc. that feature in Ezra Pound's The Cantos, a long, incomplete poem in 120 sections, each of which is a canto.It is a book-length work written between 1915 and 1962, widely considered to present formidable difficulties to the reader.
The River Merchant's Wife: A Letter" is a four stanza poem, written in free verse, and loosely translated by Ezra Pound from a poem by Chinese poet Li Bai, called Chánggān Xíng, or Changgan song. It first appeared in Pound's 1915 collection Cathay. It is the most widely anthologized poem of the collection. [1]
A Lume Spento consists of 45 poems. [9]A Lume Spento is replete with allusions to works which had influenced Pound, including Provençal and late Victorian literatures. Pound adopts Robert Browning's technique of dramatic monologues, and as such he "appears to speak in the voices of historical or legendary figures". [5]
Hugh Selwyn Mauberley addresses Pound's alleged failure as a poet. F. R. Leavis considered it "quintessential autobiography." [2]Speaking of himself in the third person, Pound criticises his earlier works as attempts to "wring lilies from the acorn", that is to pursue aesthetic goals and art for art's sake in a rough setting, America, which he calls "a half-savage country".
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