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Old English literature has had some influence on modern literature, and notable poets have translated and incorporated Old English poetry. [92] Well-known early translations include Alfred, Lord Tennyson 's translation of The Battle of Brunanburh , William Morris 's translation of Beowulf , and Ezra Pound 's translation of The Seafarer .
Although from the tenth century Old English writing from all regions tended to conform to a written standard based on Late West Saxon, in speech Old English continued to exhibit much local and regional variation, which remained in Middle English and to some extent Modern English dialects. [13]
A kenning (Old English kenning [cʰɛnːiŋɡ], Modern Icelandic [cʰɛnːiŋk]) is a circumlocution, an ambiguous or roundabout figure of speech, used instead of an ordinary noun in Old Norse, Old English, and later Icelandic poetry. This list is not intended to be comprehensive. Kennings for a particular character are listed in that character ...
An illustration of a ship from the Cædmon manuscript. The codex now referred to as the "Junius manuscript" was formerly called the "Cædmon manuscript" after an early theory that the poems it contains were the work of Cædmon; the theory is no longer considered credible, therefore the manuscript it is commonly referred to either by its Bodleian Library shelf mark "MS Junius 11", or more ...
The grammar of Old English differs greatly from Modern English, predominantly being much more inflected.As a Germanic language, Old English has a morphological system similar to that of the Proto-Germanic reconstruction, retaining many of the inflections thought to have been common in Proto-Indo-European and also including constructions characteristic of the Germanic daughter languages such as ...
Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English literary variety broke down and writing in English became fragmented and localized and was, for the most part, being improvised. [3]
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English ladies were often taught an "Italian hand", suitable for the occasional writing that they were expected to do. [4] Grace Ioppolo notes [ 2 ] that the convention in writing the texts of dramas was to write act and scene settings, characters' names and stage directions in italic, and the dialogue in secretary hand.