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"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.
Having said that, it is more galling having not one but three references or links to him on the same page as a kipling poem; kipling can be somewhat controversial, but there is no doubt as to whether or not he was a complete idiot, and so on that basis if anyone wishes to delete the entire section, please feel free to do so.
The Gods of the Copybook Headings; ... Rudyard Kipling's Verse: Definitive Edition; S. The Seven Seas (poetry collection) Snarleyow; A Song in Storm; The Sons of Martha;
Limits and Renewals is a short story collection published by Rudyard Kipling in 1932. [1] Contents. The collection contains the following short stories:
The Conversion of Aurelian McGoggin" is a short story by Rudyard Kipling. It was first published in the Civil and Military Gazette on April 28, 1887, and first in book form in the first Indian edition of Plain Tales from the Hills in 1888, and in subsequent editions of that collection.
Debits and Credits is a 1926 collection of fourteen stories, nineteen poems, and two scenes from a play by Rudyard Kipling, an English writer who wrote extensively about British colonialism in India and Burma. Four of the poems that accompany the stories are whimsically presented as translations from the "Bk.
Published in Kipling's 1896 collection of poetry, The Seven Seas, the patriotic hymn was among the works that consolidated Kipling's reputation as "The Laureate of Empire". [3] Roger Pocock , the founder of the Legion of Frontiersmen , did not appear to notice Kipling's complex vision of the imperial task when he praised the poem in a letter to ...
"Cold Iron" is a poem written by Rudyard Kipling published as the introduction to Rewards and Fairies in 1910. Not to be confused with Cold Iron (The Tale). In 1983, Leslie Fish set the poem to music and recorded it as the title track on her fifth cassette-tape album.