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The Musée d'Orsay (UK: / ˌ m juː z eɪ d ɔːr ˈ s eɪ / MEW-zay dor-SAY, US: / m juː ˈ z eɪ-/ mew-ZAY-, French: [myze dɔʁsɛ]) (English: Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900.
In 1973 the Gare d'Orsay was designated a protected Monument historique. [10] Main exhibition hall of the Musée d'Orsay (opened 1986) At the time, the French Ministry of Culture was facing problems with a lack of exhibition space, particularly in the Musée du Jeu de Paume and the Louvre.
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Whereas in Manet's Olympia the courtesan's patron is only implied, in Cézanne's A Modern Olympia the cortesain's patron is depicted within the scene. [1] The man's bald head, dark hair, full beard, and profile of the nose indicate that he is a self-portrait of Cézanne.
The 106 cm high and 72,2 cm wide watercolor held by the Musée d'Orsay in Paris elaborates on an episode told in the Matthew 14:6–11 and Mark 6:21–29. [1] On a feast held for Herod Antipas' birthday, the princess Salome dances in front of the king and his guests. This pleased him so much he promises her anything she wished for.
This group portrait therefore presents the poets that attended the dinners held at the Vilains Bonshommes, which Edmond Maître had presented to Fantin-Latour. Absent is Albert Mérat, who refused to pose with Rimbaud after an incident that occurred during the dinner of March 2, 1872, when the young poet allegedely interrupted a reading of Jean Aicard and forced the poets to take him out by force.
It is located at the Musée d'Orsay in Paris. [1] Equality is Bouguereau's first major painting, produced at the age of 23 after two years at the École des Beaux-Arts de Paris. [1] Bouguereau made his debut at the Salon with the painting. [1]
Musée d'Orsay, Paris Portraits at the Stock Exchange (also known as At the Bourse ) is a painting by the French artist Edgar Degas . Completed in about 1879, the painting was already in the collection of the French banker Ernest May when it was listed in the catalogue of the fourth Impressionist exhibition that year.
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