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Traditionally rendering techniques were taught in a "master class" practice (such as the École des Beaux-Arts), where a student works creatively with a mentor in the study of fine arts. Contemporary architects use hand-drawn sketches, pen and ink drawings, and watercolor renderings to represent their design with the vision of an artist.
Iron gall ink (also known as common ink, standard ink, oak gall ink or iron gall nut ink) is a purple-black or brown-black ink made from iron salts and tannic acids from vegetable sources. It was the standard ink formulation used in Europe for the 1400-year period between the 5th and 19th centuries, remained in widespread use well into the 20th ...
Pen and ink illustration Joseph Clement Coll (July 2, 1881 – October 19, 1921) was an American book and newspaper illustrator . He was known for his pen and ink story illustrations that were used to illustrate adventure stories such as Conan Doyle's Sir Nigel .
Sreenivasan studied art at the Madras School of Art, later the Government College of Fine Arts, Chennai, where he excelled in pen and ink line sketches. [2]At Ananda Vikatan, Sreenivasan used to cover political and social events, portraying them in his drawings.
Non-photorealistic renderings, such as exploded view diagrams, greatly assist in showing placement of parts in a complex system. Cartoon rendering, also called cel shading or toon shading, is a non-photorealistic rendering technique used to give 3D computer graphics a flat, cartoon-like appearance. Its defining feature is the use of distinct ...
A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. [ citation needed ] Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting .
During her illness, in 1920, Gill – now thirty-eight – took a sudden and passionate interest in drawing, creating thousands of allegedly mediumistic works over the following 40 years, most done with ink in black and white. The works came in all sizes, from postcard-sized to huge sheets of fabric, some over 30 feet (9.1 m) long.
It was released in 1941 as "51" ink, along with the Parker 51 pen; in 1947 it was made somewhat less corrosive, and renamed "Superchrome". Parker was careful to print prominent warnings on caps, labels, and boxes that the ink could only be used in the 51 (and, later, its economy version, the 21), and would damage any other pen.