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B. David Whitworth – backing vocals (track 8) Mark Ledford – backing vocals (track 8) Tawatha Agee – backing vocals (track 8) Brooklyn Crooks – chorus shouts vocals (track 8) Clare Fischer – string arrangement and conductor (tracks: 1, 9) Peter Hunstein – programming (track 8) Raymond Jones – producer (tracks: 1, 9)
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern ...
"Maiden Voyage" opening vamp: Dsus chord in D Dorian, [1] or mixolydian. [2] Play ⓘ "Maiden Voyage" is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage.It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – together with saxophonist George Coleman.
The full CD and vinyl track lists: 6CD Tracklisting. Disc One: Rolling Thunder Revue. Live In Niagara Falls. Convention Center, Niagara Falls, NY, November 15, 1975
The Phrygian dominant scale is often used in jazz composition and improvisation over secondary dominants of minor chords in a major key, such as the VI 7 chord in a VI 7-ii 7-V 7-I progression. Some modal jazz compositions, such as " Nardis " by Miles Davis , are composed in the Phrygian dominant mode.
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Ignoring the root, the scales used for each of these four chords would be B Aeolian (natural minor), B Dorian, C♯ Mixolydian, and E Aeolian, respectively. However, from the perspective of pitch axis theory, we consider all scales to have the B root - so we would say that the progression is B Aeolian, B Dorian, B Lydian, and B Phrygian.
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