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Bobby Floyd was born in Marion, Ohio, on December 24, 1954, the son of Vera and Bob Floyd. [1] He started playing piano at age two, and was discovered to have perfect pitch shortly after, [2] starting piano lessons with his tutor L. T. Dukes at five years old. [3]
He came from a musical family [3] that operated a player piano repair shop. [4] He began playing piano in the 1920s as a child, in the Bronx and Harlem. [5] His first professional piano gig was at age 13 with his uncle's orchestra. [3] He began playing boogie woogie and talking in a jive style. [5] He was invited into black speakeasies in ...
Wurlitzer excelled in piano design. It developed the "Pentagonal Soundboard", "Tone crafted hammers", and other unique innovations to help its pianos produce a richer, fuller tone. In 1935, it was one of the first manufacturers to offer the spinet piano to the mass market. This 39-inch high piano was an instant sensation.
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William "Billy" Beck – piano, grand piano, organ, Hammond B-3 organ, Rhodes piano, Wurlitzer electric piano, RMI Electra piano, clavinet, ARP Odyssey, ARP string ensemble, percussion, lead and background vocals (1974–1980; unknown–present) Leroy "Sugarfoot" Bonner – guitar, percussion, lead and background vocals (1964–1997)
The goal of regulation is to make the piano's touch and sound consistent across all notes, allow it to achieve the widest possible range of dynamics comfortably, and make the keys responsive to even the most rapid or most subtle motions of the player. There are many dozens of types of regulation a piano may require.
The first Howl at the Moon location, owned by Terry Cunningham and Jimmy Bernstein, [4] opened in the newly opened Convington waterfront of Cincinnati, Ohio, in 1990, and was variously described as "a new Orleans-style bistro with dueling pianos, dancing and peanuts sent down chutes for customers", [5] and "featuring piano singalongs to the music of the '50s, '60s, and '70s in a setting ...
After graduating from high school, Feinstein worked in local piano bars for two years, moving to Los Angeles when he was age 20. Through the widow of concert pianist-actor Oscar Levant , he was introduced in 1977 to Ira Gershwin , who hired him to catalogue his extensive collection of phonograph records.
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