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Hephaestus (UK: / h ɪ ˈ f iː s t ə s / hif-EE-stəs, US: / h ɪ ˈ f ɛ s t ə s / hif-EST-əs; eight spellings; Ancient Greek: Ἥφαιστος, romanized: Hḗphaistos) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes. [1]
The Romans identified Vulcan with the Greek smith-god Hephaestus. [16] Vulcan became associated like his Greek counterpart with the constructive use of fire in metalworking. A fragment of a Greek pot showing Hephaestus found at the Volcanal has been dated to the 6th century BC, suggesting that the two gods were already associated at this date. [12]
Svarog [a] is a Slavic god who may be associated with fire and blacksmithing and who was once interpreted as a sky god on the basis of an etymology rejected by modern scholarship. He is mentioned in only one source, the Primary Chronicle, which is problematic in interpretation. He is presented there as the Slavic equivalent of the Greek god ...
In Greek mythology, Prometheus (/ p r ə ˈ m iː θ i ə s /; Ancient Greek: Προμηθεύς, [promɛːtʰéu̯s], possibly meaning "forethought") [1] is one of the Titans and a god of fire. [2] Prometheus is best known for defying the Olympian gods by taking fire from them and giving it to humanity in the form of technology, knowledge and ...
Girra, god of fire in Akkadian and Babylonian records; Gibil, skilled god of fire and smithing in Sumerian records; Ishum, god of fire who was the brother of the sun god Shamash, and an attendant of Erra; Nusku, god of heavenly and earthly fire and light, and patron of the arts; Shamash, ancient Mesopotamian Sun god
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
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The symbol of fire was a cue pointing towards transformation, the chemical variant being the symbol delta, which is also the classical symbol for fire. [16] Conversion symbolized can be good, for example, refining raw crudities to gold, as seen in The Devil. Conversion can also be bad, as in The Tower, symbolizing a downfall due to anger.