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Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
As in modern English, there was a distinction in Old English between stressed and unstressed syllables. Stress typically could be found only on the first or leftmost syllable of a root morpheme. In morphologically simple words, this is equivalent to the first syllable of the word: e.g. yfel 'evil', [157] pronounced [ˈyvel]. Non-initial ...
Stressed antepenultimate syllables are always written with that accent mark, as in árabe. If the last syllable is stressed, the accent mark is used if the word ends in the letters n, s, or a vowel, as in está. If the penultimate syllable is stressed, the accent is used if the word ends in any other letter, as in cárcel.
That is, stressed syllables tend to appear with a more or less regular rhythm, while non-stressed syllables are shortened to accommodate this. For example, in the sentence One make of car is better than another, the syllables one, make, car, bett-and -noth-will be stressed and relatively long, while the other syllables will be considerably shorter.
Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress). Absence of stress on a syllable or on a word, in some cases, is frequently associated in English with vowel reduction; many such syllables are pronounced with a centralized vowel or ...
Bounded vs. unbounded: In a bounded language the main stress appears a fixed distance from the word boundary and the secondary stress appears at fixed intervals from other stressed syllables. In an unbounded language the main stress is drawn to 'heavy' syllables (syllables with long vowels and/or consonants at the end of the syllable). Within ...
That is, each syllable has stress or it does not. Many languages have rhythmic stress; location of the stress may not be predictable, but when the location of one stressed syllable (which may be the primary stress) is known, certain syllables before or after can be predicted to also be stressed; these may have secondary stress.
Only stressed syllables can alliterate (though "stressed" includes any syllable that counts as an upbeat in poetic meter, [15] [16] such as the syllable long in James Thomson's verse "Come . . . dragging the lazy languid line along".) The repetition of syllable-initial vowels functions as alliteration, regardless of which vowels are used. [17]
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