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The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of sound effects and Foley.
D.J. Lynch, Rob McIntyre (supervising sound editors); Evan Dockter, Marc Schmidt (sound designers); Mark A. Keatts (supervising ADR editor); Roger Pallan, Lawrence Reyes, Ezra Walker (sound effects editors); Roberto Allegria, Derek Swanson (Foley editors); David M. Cowan, Kelly Foley Downs, Patrick Foley, Mike Garcia (dialogue editors); Jon ...
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley is an annual award given by the Motion Picture Sound Editors.It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and Foley work in long form broadcast media.
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
Martin Hernández (supervising sound editor/sound designer); Roland N. Thai (sound designer/sound effects editor); Sergio Diaz (supervising dialogue editor/ADR/dialogue editor); Dana Blanco (sound effects editor/Foley artist); Alejandro Quevedo (sound effects editor); Carlos Zamorano (Foley artist)
Matthew Wood (supervising sound editor), David Acord (supervising sound editor, sound designer), Frank Rinella (supervising Foley editor, Foley artist), Kimberly Patrick (Foley artist), Ryan J. Frias (sound effects editor), Tony Diaz (dialogue editor, ADR editor), Sean Kiner (supervising music editor)
Sean Heissinger, Matthew E. Taylor (supervising sound editors); Rickley W. Dumm (sound designer); Mark Allen (sound effects editor); John Sanacore, Clayton Weber (Foley editors); John Creed, Harrison Meyle (dialogue editors); Michael Brake (music editor); Alyson Dee Moore, Christopher Moriana (Foley artists)
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