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Kuba textiles are a type of raffia cloth unique to the Democratic Republic of the Congo, formerly Zaire, and noted for their elaboration and complexity of design and surface decoration. Most textiles are a variation on rectangular or square pieces of woven palm leaf fiber enhanced by geometric designs executed in linear embroidery and other ...
Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, [5] based in the eastern Indian states of Odisha, [6] [7] West Bengal [8] and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it.
All of these items – felt, yarn, fabric, and finished objects – are collectively referred to as textiles. [3] The textile arts also include those techniques which are used to embellish or decorate textiles – dyeing and printing to add color and pattern; embroidery and other types of needlework; tablet weaving; and lace-making.
Chintz jacket and neckerchief with glazed printed cotton petticoat. 1770–1800. MoMu, Antwerp.. Chintz (/ tʃ ɪ n t s / [1]) is a woodblock printed, painted, stained or glazed calico textile that originated in Golconda (present day Hyderabad, India) in the 16th century.
Mola art developed when Guna women had access to store bought yard goods. Mola designs are often inspired by modern graphics such as political posters, labels, pictures from books and TV cartoons, as well as traditional themes from Guna legends and culture. Geometric molas are the most traditional, having developed from ancient body painting ...
Alabere: Stitching raffia onto the fabric in a pattern prior to dyeing. The raffia palm is stripped, and the spine sewn into the fabric. After dyeing the raffia is usually ripped out, although some choose to leave it in and let wear and tear on the garment slowly reveal the design. Eleko: Resist
The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
The most widely recognized modern style of Hmong textile art is a form of embroidery derived from Paj Ntaub known as story cloth. Traditional Hmong textiles like Paj Ntaub play a significant role in Hmong daily life and are often directly associated with larger cultural concerns such as religion, gender, economics, and ethnic identity.
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