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Islamic graffiti is a genre of graffiti created by people who usually relate to the Middle East or North Africa, using Arabic or other languages for social or political messages. It is a popular art genre created by "artists, graffiti writers, designers and typographers from the Middle East and around the world who merge Arabic calligraphy with ...
While graffiti has never been widespread in the region, it has spread with the rising dissidence against Middle Eastern dictatorships and authoritarian regimes. Calligraphy artist Hassan Massoudy called Arabic calligraphy and graffiti "two daughters of the same parents" because of their interrelationship. He notes that "Obviously [calligraphy ...
Jara Mosque in Gabes, Tunisia, 2012. Reacting to the clashes between religious sects and the art community in Tunisia, the artist embarked on a project to transform this religious landmark into a public artwork during the holy month of Ramadan. eL Seed's large-scale production cites traditional principles of Arabic script with a modern sensibilities.
Saj' (Arabic: سجع, romanized: sajʿ) is a form of rhymed prose defined by its relationship to and use of end-rhyme, meter, and parallelism. [1] There are two types of parallelism in saj': iʿtidāl (rhythmical parallelism, meaning "balance") and muwāzana (qualitative metrical parallelism). [2] Saj' was the earliest artistic speech in Arabic.
The graffiti is on the Palestinian side of the wall and primarily expresses anti-wall sentiments. [3] The graffiti, written in both English and Arabic, includes "flags and fists, slogans and insults, statements of pain and loss", serving as a "visual testimony" to the suffering of Palestinians under the Israeli occupation of the West Bank. [6]
An investigation conducted by the Department of Education's Office of Civil Rights concluded that multiple instances of antisemitic harassment — including swastika drawings, Hitler references ...
[3] [4] It is known in Arabic as khatt Arabi (خط عربي), literally meaning 'line', 'design', or 'construction'. [ 5 ] The development of Islamic calligraphy is strongly tied to the Qur'an , as chapters and verses from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based.
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