Search results
Results from the WOW.Com Content Network
The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers.
Typographical symbols and punctuation marks are marks and symbols used in typography with a variety of purposes such as to help with legibility and accessibility, or to identify special cases. This list gives those most commonly encountered with Latin script .
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
The strokes are the components of a letterform. [4] Strokes may be straight, as in k l v w x z, or curved, as in c o s.If straight, they may be horizontal, vertical, or diagonal; if curved, open or closed.
Web typography, like typography generally, is the design of pages – their layout and typeface choices. Unlike traditional print-based typography (where the page is fixed once typeset ), pages intended for display on the World Wide Web have additional technical challenges and – given its ability to change the presentation dynamically ...
It is the art of a type designer to develop a pleasing and functional typeface. In contrast, it is the task of the typographer (or typesetter) to lay out a page using a typeface that is appropriate to the work to be printed or displayed. Type designers use the basic concepts of strokes, counter, body, and structural groups when designing typefaces.
Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten letterforms of the mid-15th century calligraphy were the natural models for letterforms in systematized typography. [1]
In Japanese typography, due to the reduced legibility of heavier MinchÅ type, the practice remains common. Of these methods, italics, small capitals and capitalization are oldest, with bold type and sans-serif typefaces not arriving until the nineteenth century.