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As a general term, the term kuzi (Chinese: 褲子) and ku (Chinese: 褲; lit. 'trousers') can both be literally translated as "trousers or pants" in English language. [4]: 55 [5]: 111 The Chinese character for ku (褲) has other character variants such as and . [6] The character ku is the archaic form of character of ku . [7]
The aoqun and/or ruqun is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. [6]: 47–50, 54 Various forms and style of Chinese trousers, referred broadly under the generic term ku, can also be worn under the ruqun.
Feiyufu worn by attendants during imperial procession.. Feiyufu (traditional Chinese: 飛魚服; simplified Chinese: 飞鱼服; pinyin: fēiyúfú; lit. 'flying fish clothing'), also called feiyu mangyi (Chinese: 飞鱼蟒衣; pinyin: Fēiyú mǎngyī; lit. 'flying-fish python robe'), [1] is a type of traditional Han Chinese clothing which first appeared in the Ming dynasty.
Clothing with trousers for riding or military style clothing. [3] [4] A short coat with trousers. Pre-Qin - Ming. Páofú: 袍服 Yèsāpáo: 曳撒 or 一撒 A form of kuzhe. [3] [4] Ming Zhì sūn fú or yisefu 质孙服 or 一色服 "robe of one colour" Introduced in Yuan; later became a uniform for the military officials Ming. Yuan – Ming ...
Chinese clothing, including ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [ 1 ]
An explanation to the origins of Taoist ritual clothing (Chinese: 道衣; pinyin: dàoyī; lit.'Taoist clothing') might be they are derived from robes worn by zhouyi (Chinese: 咒醫; pinyin: zhòuyī; i.e. ritual healers) and fangshi in ancient China as their clothing were embroidered with patterns of flowing pneuma which are similar to clouds, depictions of the celestial real and the underworld.
The xifu, Chinese opera costumes, were made based on the clothing style of the Ming dynasty while also absorbing clothing features of the Song, Yuan, and Qing dynasties. [3] On stage, the theatrical mangfu is typically in the appearance of a yuanlingpao .
Genuine embroidered Chinese jackets and coats were worn as evening wear. [27] The loose fitting cut of British women garments in the 1920s also reflects the influence of Chinese clothing. [21] The cheongsam was created in the 1920s and was turned into a high-style evening wear when it was appropriated by the West.