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  2. Conservation and restoration of frescos - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    The oldest method, known as the a massello technique, involves cutting the wall and removing a considerable part of it together with both layers of plaster and the fresco painting itself. The stacco technique, on the other hand, involves removing only the preparatory layer of plaster, called the arriccio together with the painted surface.

  3. Conservation and restoration of paintings - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Removal of painting mural to repair support wall. The material that makes up the support can have a major impact on the overall deterioration of an artwork, it can also determine the best method for handling, storing, and displaying an object.

  4. Conservation and restoration of outdoor murals - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    The word mural is derived from the Latin word murus, meaning wall. Walls have long provided a direct support for aesthetic, political, and social ideas expressed with paint. Cave paintings could be considered the earliest murals, followed over time by wall paintings in tombs, temples, churches, civic buildings, and a variety of outdoor spaces. [1]

  5. Fresco - Wikipedia

    en.wikipedia.org/wiki/Fresco

    The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.

  6. Dad Flies Across Country, Spends 90 Hours Painting ... - AOL

    www.aol.com/dad-flies-across-country-spends...

    In early preparation for the baby's January 2025 arrival, Hendron flew from Delaware to his daughter's home in California to paint a dreamy mural on the baby-to-be's nursery wall. His pregnant ...

  7. Transfer of panel paintings - Wikipedia

    en.wikipedia.org/wiki/Transfer_of_panel_paintings

    The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...

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