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Production Camera 4K [32] 21.12 x 11.88 mm CMOS 1.7 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) 200 - 800 (400 native) [38] 12 stops (BMD Film, per manufacturer) [33] 8.2 stops (usable) [29] Global None None 23.98, 24, 25, 29.97, 30 Blackmagic: Ursa 4K [39] 21.12 x ...
Using a S35mm image plane, the Red One displays a natural depth of field from 2K to over 4K resolutions. [2] The first Red Ones were outfitted with the 12 megapixel Mysterium sensor, capable of capturing up to 120 frames per second at 2K resolution and 30 frames per second at 4K resolution. [3] The only possible acquisition format is Redcode Raw.
Sony α7R II - Full Frame 42 Megapixel Sensor, but only 100 Mbit/s in H.264 and the APS-C crop mode is better for 4K than the full frame mode; Sony α7R III; Sony α7R IV; Sony α7R V; Sony α7S - 4K: 30p/24p, 4:2:2 8 bits. Does not support internal 4K recording, must use an external recorder via HDMI, but see Sony α7S II. Only 1080p is ...
The Sony FX3 is a full-frame mirrorless interchangeable-lens compact cinema camera announced on February 23, 2021. [1] Based on the previous year's Sony α7S III , it became available in March 2021. The starting price of $ 3,900 ( £ 4,200) made it one of the most affordable models in Sony's Cinema line aimed at professional filmmakers.
Unlike the 2/3" 3-CCD imaging system used in Sony's HDW-F900 CineAlta camera (used in Attack of the Clones), the Genesis uses a single 12.4 megapixel CCD chip with the same width as a Super 35 mm film frame. The "Panavized" CineAltas did not use Panavision's existing range of 35 mm film lenses and have different depth-of-field characteristics.
Pages in category "Digital movie cameras" ... This list may not reflect recent changes. ... Panavision HD-900F; Phantom (high-speed camera brand) ...
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