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David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
The two movements are nearly identical, in fact, except that this movement has a different instrumentation and key. The fourth movement, Scena e canto gitano ("Scene and Gypsy song") opens with five cadenzas — first by the horns and trumpets, then solo violin, flute, clarinet, and harp — played over rolls on various percussion instruments ...
Walton's first major composition after Belshazzar's Feast was his First Symphony. It was not written to a commission, and Walton worked slowly on the score from late 1931 until he completed it in 1935. He had composed the first three of the four movements by the end of 1933 and promised the premiere to the conductor Hamilton Harty. Walton then ...
German was born German Edward Jones in Whitchurch, Shropshire, the second of five children and the elder of two sons of John David Jones, a liquor merchant, brewer, church organist and lay preacher at the local Congregational chapel, and Elizabeth (Betsy) Cox (died 1901), a teacher of Bible classes for young women. His first name was an ...
The Mardang was a singular drum with two sides played simultaneously. In the court of Guru Arjun Dev Ji there were two musicians, Sata and Balwand, who decided to create a new instrument by splitting the Mardang in half. This created two separate drums that would be played simultaneously and would be able to be tuned individually. [43]
The work in two parts opens with a declamation by Elijah, after which the overture is played. The sections are listed in the following table, with the text in both German and English, a biblical source for the passage (the dramatic action highlighted by a background colour), and the voices. The choir is mostly four-part SATB, but up to eight parts.
The origin of the violin family is unclear. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
In Weimar, a recorder or flauto traverso doubled the first violin an octave higher; in the first Leipzig performance it was a flauto traverso. A part for obbligato organ (Org) replacing oboe and cello in movement 5 was adopted in an even later performance. [32] The work is about 25 minutes long. [1]