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In that Nakshi Kantha she types (writes) all the (sad) incidents and tragedies of her life. Still more days pass by, but Rupai does not return. Finally Saju dies. Before her death she requests her mother to put the Nakshi Kantha on her grave. Her mother does accordingly. And since then the name of the field becomes Nakshi Kanthar Math.
His Nakshi Kanthar Math and Sojan Badiar Ghat are considered among the best lyrical poems in the Bengali language. [3] He is the key figure for the revivals of pastoral literature in Bengal during the 20th century. [1] As a versatile writer, Jasimuddin wrote poems, ballads, songs, dramas, novel, stories, memoirs, travelogues, etc. [4]
Nakshi kantha, a type of embroidered quilt, is a centuries-old Bengali art tradition of the Bengal region, notably in Bangladesh and the Indian states of West Bengal, Tripura, and parts of Assam. [ 1 ] [ 2 ] [ 3 ] The basic materials used are thread and old cloth. [ 4 ]
Nakshi Kanthar Maath is a type of ballad i.e., a pure melodic and rhythmic form of folk song. And Bengali folk poem Nakshi Kantha was staged by G. A. Mannan in the form of western ballet (western dance drama), mixing elements of Bengali folk culture. The music of Nakshi Kanthar Math dance-drama is directed by Ustad Khadem Khan.
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Nakshi Kanthar Math (1963) Elephant taming in Gouripur (1963) Shyam Se Neha Lagei (1964) Janmabhumi (Pandit Mashai) (1965) Chaturanga (1966) Hirer Prajapati (1966) Sansar Simante (1968) Echoes from Vietnam in Bengal (1968) Kumar Sambhaber Ashtom Swargo (1969) Sat Lahari; Natun Phasal; Ajay and Gabroo; Those forgotte ones; Shei Bishnupriya (1974 ...