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"Hurt" is a 1954 song by Jimmie Crane and Al Jacobs. "Hurt" was originally performed by Roy Hamilton, whose version peaked at number eight on the R&B Best Seller chart and spent a total of seven weeks on the chart. [1] A version by Ricky Denell also received considerable radio airplay in 1954 on pop radio stations.
"Hurt" is a song by American industrial rock band Nine Inch Nails from its 1994 studio album The Downward Spiral—where it is the closing song on the album—written by Trent Reznor. It was subsequently released on April 17, 1995, as a promotional single from the album, wherein it was issued straight to radio. [ 3 ]
"It Hurts to Be in Love" is a song written by Howard Greenfield and Helen Miller which was a Top Ten hit in 1964 for Gene Pitney. [2] It was one in a long line of successful "Brill Building Sound" hits created by composers and arrangers working in New York City 's Brill Building at 1619 Broadway.
"Hurt" was released as the second single from Back to Basics following the album's lead single "Ain't No Other Man", which was released in June 2006. The song was serviced to US contemporary hit radio stations on September 17, 2006. [4] It was subsequently released physically in Australia, Germany, and the United Kingdom in November.
The song was covered by American country music artist Randy Barlow in 1979, whose version peaked at number 13 on the Billboard Hot Country Singles chart. [6] In 1979 the song was released as a single from Tanya Tucker's album Tear Me Apart, produced by Mike Chapman, but it failed to chart. [7]
"You Always Hurt the One You Love" is a pop standard with lyrics by Allan Roberts and music by Doris Fisher. First recorded by the Mills Brothers , whose recording reached the top of the Billboard charts in 1944, it was also a hit for Sammy Kaye (vocal by Billy Williams) in 1945.
The Shelter of Your Arms is a 1964 album by Sammy Davis Jr. The title track reached No. 3 on the R&B singles, No. 7 on the Easy Listening chart and No. 17 on the Billboard Hot 100 the weeks of March 7 and 14, 1964.
The song was subsequently included in the 1930 film Leathernecking, an adaptation of Present Arms. [5] Rodgers described the song as a "sassy and unregretful number" which audiences liked far more than traditional contemporary love songs. [6]