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Pages in category "Songs written by Bink (record producer)" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
Roosevelt Harrell III (born February 20, 1972), known professionally as Bink, is an American hip hop producer from Norfolk, Virginia, who is noted for his work with Roc-A-Fella Records artists. His most high-profile work has been Jay-Z 's critically acclaimed album The Blueprint , for which he produced three tracks.
The main section of "Don't Leave Me Now", recorded with synthesizer bass, organ, piano, and a delay-treated guitar, does not adhere to one single key, but rather cycles slowly through four dissonant and seemingly-unrelated chords, for two measures of each: An E augmented chord, followed by a D flat major seventh chord, a B flat dominant seventh chord with a suspended second, followed by a G ...
"Don't Leave Me Now" is a song by Belgian DJ Lost Frequencies and French DJ Mathieu Koss. It was released on 31 July 2020 on Found Frequencies [ 1 ] . The song was written by Felix De Laet, Joren van der Voort, Christon Kloosterboer, Dalton Dielh, Mathieu Bordaraud and Peter Hanna, and produced by De Laet and Bordaraud.
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Don't Leave Me Now may refer to: "Don't Leave Me Now" (Pink ...
"Don't Leave Me" is a song by American R&B group Blackstreet, produced by Teddy Riley and released in February 1997 as the third single from their second album, Another Level (1996). It contains a sample of the DeBarge song " A Dream ", also used in " I Ain't Mad at Cha " by Tupac Shakur.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Don't Leave Me This Way" is a song written by Kenneth Gamble, Leon Huff and Cary Gilbert. It was originally released in 1975 by Harold Melvin & the Blue Notes featuring Teddy Pendergrass , an act signed to Gamble & Huff's Philadelphia International label.
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