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The Great Red Dragon paintings are a series of watercolour paintings by the English poet and painter William Blake, created between 1805 and 1810. [1] It was during this period that Blake was commissioned to create over one hundred paintings intended to illustrate books of the Bible.
William Blake, Tate. 354 x 293 mm. The Four and Twenty Elders Casting their Crowns before the Divine Throne is a pencil drawing and watercolour on paper by the English poet, painter and printmaker William Blake. Created circa 1803–1805, the drawing has been held in London's Tate gallery since 1949.
This is an accepted version of this page This is the latest accepted revision, reviewed on 8 February 2025. English poet and artist (1757–1827) For other people named William Blake, see William Blake (disambiguation). William Blake Portrait by Thomas Phillips (1807) Born (1757-11-28) 28 November 1757 Soho, London, England Died 12 August 1827 (1827-08-12) (aged 69) Charing Cross, London ...
Pages in category "Art by William Blake" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. A.
The Ancient of Days is a design by William Blake, originally published as the frontispiece to the 1794 work Europe a Prophecy. It draws its name from one of God's titles in the Book of Daniel and shows Urizen [ 1 ] crouching in a circular design with a cloud-like background.
The Book of Job was an important influence upon Blake's writings and art; [11] Blake apparently identified with Job, as he spent his lifetime unrecognized and impoverished. Harold Bloom has interpreted Blake's most famous lyric, The Tyger, as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [12]
The Ghost of a Flea is a miniature painting by the English poet, painter and printmaker William Blake, held in the Tate Gallery, London. Measuring only 8.42 by 6.3 inches (21.4 by 16.0 centimetres), it is executed in a tempera mixture with gold, on a mahogany -type tropical hardwood panel. [ 1 ]
Dated 1808, they were commissioned from Blake by his patron Thomas Butts, who also commissioned many paintings on biblical themes from Blake. In the early 1850s, Butts' son Thomas Butts Jr. offered the individual paintings for sale at several auctions, resulting in the dispersal of the set. Today it remains divided between four museums.
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