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Albert Lortzing's singspiel Szenen aus Mozarts Leben (1832), on Mozart's life Robert Schumann named two sections of his piano work Carnaval after Paganini and Chopin Alessandro Stradella 's life was the basis for some operas with the title Stradella by Louis Niedermeyer (1837), César Franck (1841) and Friedrich von Flotow 's Alessandro ...
A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme ...
Call and response singing was originally part of African-American work songs, and it subsequently became an important part of the blues. The same effect is used in instrumental tunes, in which a solo instrument does a melodic line and then there is a "response" from the horn section or rhythm section.
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
Retreat (bugle call), a military signal for the end of day, known as "Sunset" in some countries Retreat (military), a withdrawal of military forces Retreat (spiritual), a time taken to reflect or meditate
Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature.
Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.