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AES-FG Frank Gambale Signature Guitar; AEX 1500 Martin Taylor Hybrid Guitar; AEX 500; AEX 500 N(2) ... SLG130NW Silent Guitar; SLG200N Silent Guitar (nylon string ...
The 2004 model features a five way switch for neck, neck-split to single, neck and humbucker in parallel, bridge-split to single and bridge. The pickups are ceramic. Godin is well known for the Multiac series of hybrid guitars which are available in steel string or nylon string versions, incorporating both piezo and magnetic pickups.
The Yepes 10-string guitar adds four strings (resonators) tuned in such a way that they (along with the other three bass strings) can resonate in sympathy with any of the 12 chromatic notes (or their primary harmonics) that can occur on the higher strings; the idea behind this being an attempt at enhancing and balancing sonority.
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The Gibson Chet Atkins CEC was a classical electric guitar manufactured by Gibson and released in 1982. [1] Developed with guitarist Chet Atkins and Kentucky luthier Hascal Haile, [2] the Chet Atkins CEC (Cutaway Electric Classical) merged solid-body electric guitar with classical guitar, resulting in a nylon-string instrument that could be played at high volumes in large auditoriums without ...
Trigger is a modified Martin N-20 nylon-string classical acoustic guitar used by country music singer-songwriter Willie Nelson. Early in his career, Nelson tested several guitars by different companies. After his Baldwin guitar was damaged in 1969, he purchased the Martin guitar, but retained the electrical components from the Baldwin guitar.
The sound is similar to the metal-nylon strings but without the metallic tone to them (one of the main reasons why traditionalists do not like the metal-nylon strings). The nylon strings are able to be turned to standard pitch without breaking and can sustain their tuning whatever the climate unlike silk. The nylon-composite strings have ...
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...