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This painting was documented by Hofstede de Groot in 1914, who wrote: 158. HEAD OF CHRIST. B.-HdG. 413. Turned three-quarters left. The head is slightly inclined. Long dark curls and a short full beard. In a reddish-brown cloak. Half-length, without the hands, about half life size. Painted about 1656-58. Oak panel, 10 inches by 8 inches.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 41.
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
This face of Christ relates very closely to depictions found in two prints by Rembrandt that portray Christ preaching to an attentive audience. [1] This painting was documented by Hofstede de Groot in 1914, who wrote; "163. HEAD OF CHRIST. Wb. 324; B.-HdG. 412. Almost in full face. Long dark curls and a thin full beard. In a reddish-brown cloak.
Christ and Sinner; Christ and the Canaanite Woman (Carracci) Christ and the Canaanite Woman (Preti) Christ and the Penitent Sinners; Christ and the Samaritan Woman (de Troy) Christ and the Samaritan Woman (Carracci) Christ and the Samaritan Woman (Kauffman) Christ and the Virgin Diptych; Christ and the Woman of Samaria (Gentileschi)
This painting was documented by Hofstede de Groot in 1914, who wrote; "160. HEAD OF CHRIST. Bode 295; Dut. 78; Wb. 301; B.-HdG. 414. Long dark curls, a short full beard, and dark eyes. Turned to the right. In a brownish-red coat, showing at top the hem of the shirt. Strong light falls from the left on the upper part of the right side of the face.
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.