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A 2014 show of Henri Matisse provided Tate Modern with London's best-attended charging exhibition, and with a record 562,622 visitors overall, helped by a nearly five-month-long run. [56] In 2018, Joan Jonas had a retrospective exhibition.
Henri Matisse: The Cut-Outs was exhibited at London's Tate Modern, from April to September 2014. [85] The show was the largest and most extensive of the cut-outs ever mounted, including approximately 100 paper maquettes—borrowed from international public and private collections—as well as a selection of related drawings, prints, illustrated ...
Museum of Modern Art: Study of a foot: c. 1909 Bronze: 30 cm St. Petersburg Hermitage [6] [a] The Back II: 1913 Bronze: New York City Museum of Modern Art [a] The Back III: 1916 Bronze: New York City Museum of Modern Art: Henriette II: Henriette II: 1927 Bronze 32.1 cm Ottawa: National Gallery of Canada [7] Henriette III: Henriette III: 1929 ...
The Snail (L'escargot) is a collage by Henri Matisse. The work was created from summer 1952 to early 1953. It is pigmented with gouache on paper, cut and pasted onto a base layer of white paper measuring 9'4 3 ⁄ 4" × 9' 5" (287 × 288 cm). The piece is in the Tate Modern collection in London. [1]
From 2007 to 2013 he was curator of international modern art at Tate Modern. [1] He then joined the Metropolitan Museum of Art in New York City as its curator of modern and contemporary art. [1] In 2014, he co-curated an exhibition of Henri Matisse's cut-outs at Tate Modern with Sir Nicholas Serota. [4] The exhibition attracted more than ...
Metropolitan Museum of Art curator-at-large Dr. Denise Murrell stands near Henri Matisse's "Woman in White." The Des Moines Art Center has plenty of interesting works in its permanent collection.
Morris, along with her colleague Iwona Blazwick, was responsible with the initial presentation in 2000 of the Tate Modern's opening collection displays, organised thematically and in a non-chronological manner with mixing of contemporary artworks with those of Monet, Matisse, and Picasso. While the non-chronological style was controversial with ...
The Financial Times called the exhibition "the best show in London this winter". [8] This was followed by an exhibition of Matisse's female portraits and included a loan from Tate Modern of one painting, 'La Liseuse distraite' (1919), [9] along with the artist's series of four bronze female backs, entitled Nu de dos I-IV, which were conceived c ...