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Pages in category "Medical-themed films" The following 200 pages are in this category, out of approximately 224 total. This list may not reflect recent changes .
The Western Medical Tradition: 800 BC to AD 1800 (1995); excerpt and text search. Bynum, W.F. et al. The Western Medical Tradition: 1800–2000 (2006) excerpt and text search; Loudon, Irvine, ed. Western Medicine: An Illustrated History (1997) online Archived 26 September 2017 at the Wayback Machine; McGrew, Roderick. Encyclopedia of Medical ...
Historical drama films continued to include epic films, in the style of Ben-Hur from 1959, with Spartacus (1960) and Cleopatra (1963), but also evolving with 20th-century settings, such as The Guns of Navarone (1961), Lawrence of Arabia (1962), and Doctor Zhivago (1965).
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.
This period is sometimes described as the 'classic' or 'golden' era of science fiction theate. With at least 204 sci-fi films produced, it holds the record for the largest number of science fiction produced per decade. Much of the production was in a low-budget form, targeted at a teenage audience. Many were formulaic, gimmicky, comic-book ...
Both the quality and quantity of filmmaking had increased rapidly by the end of the 1950s. South Korean films, such as Lee Byeong-il's 1956 comedy Sijibganeun nal (The Wedding Day), had begun winning international awards. In contrast to the beginning of the 1950s, when only 5 films were made per year, 111 films were produced in South Korea in 1959.
1950s; 1960s; 1970s; 1980s; 1990s; 2000s; Subcategories. ... Pages in category "1950s American medical television series" This category contains only the following page.
The proliferation of television in the early 1950s contributed to a heavy mid-century push for color within the film industry. In 1947, only 12 percent of American films were made in color. By 1954, that number had risen to over 50 percent. [78] The color boom was aided by the breakup of Technicolor's near-monopoly on the medium.