Search results
Results from the WOW.Com Content Network
In Khoikhoi mythology, the spotted hyena is often the butt of the jackal's tricks. Gogo folklore links the spotted hyena to the origin of death; in one tale, the hyena prevents humanity from achieving immortality, thus ensuring it can continue to eat corpses. A similar tale is present among the Meru.
The spotted hyena is very vocal, producing a number of different sounds consisting of whoops, grunts, groans, lows, giggles, yells, growls, laughs and whines. [47] The striped hyena is comparatively silent, its vocalizations being limited to a chattering laugh and howling. [48] Whoop of a spotted hyena in Umfolosi Game Park, South Africa.
Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence. The son of Zeus and Hera, he was depicted as a beardless youth, either nude with a helmet and spear or sword, or as an armed warrior.
Pages in category "Personifications in Greek mythology" The following 177 pages are in this category, out of 177 total. This list may not reflect recent changes .
Calchas (Κάλχας), a powerful Greek prophet and omen reader, who guided the Greeks through the war with his predictions. Diomedes (Διομήδης, also called "Tydides"), the youngest of the Achaean commanders, famous for wounding two gods, Aphrodite and Ares. Helen (Ἑλένη) the wife of Menelaus, the King of Sparta. Paris visits ...
Several people: Various animals Circe: They were transformed into various animals in Aeaea by the sorceress-goddess Circe, including Odysseus' crewmen, who were transformed into pigs. Although Odysseus freed his own crewmen, the other people-turned-animals in Circe's island were not as lucky and were not ever changed back. Taygete: Doe: Artemis
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.