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In Khoikhoi mythology, the spotted hyena is often the butt of the jackal's tricks. Gogo folklore links the spotted hyena to the origin of death; in one tale, the hyena prevents humanity from achieving immortality, thus ensuring it can continue to eat corpses. A similar tale is present among the Meru.
The four extant species are the striped hyena (Hyaena hyaena), the brown hyena (Parahyaena brunnea), the spotted hyena (Crocuta crocuta), and the aardwolf (Proteles cristata). The aardwolf can trace its lineage directly back to Plioviverrops 15 million years ago, and is the only survivor of the dog-like hyena lineage.
Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
Calchas (Κάλχας), a powerful Greek prophet and omen reader, who guided the Greeks through the war with his predictions. Diomedes (Διομήδης, also called "Tydides"), the youngest of the Achaean commanders, famous for wounding two gods, Aphrodite and Ares. Helen (Ἑλένη) the wife of Menelaus, the King of Sparta. Paris visits ...
Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence. The son of Zeus and Hera, he was depicted as a beardless youth, either nude with a helmet and spear or sword, or as an armed warrior.
Pages in category "Personifications in Greek mythology" The following 177 pages are in this category, out of 177 total. This list may not reflect recent changes .
Cerberus – A Greek mythological dog that guarded the gates of the underworld, almost always portrayed with three heads and occasionally having a mane of serpents, as well as the front half of one for a tail. Drakaina – A female species from Greek mythology that is draconic in nature, primarily depicted as a woman with dragon features.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.