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The composition is a concerto for guitar and orchestra. The central adagio movement is one of the most recognizable in twentieth-century classical music, featuring the interplay of guitar with cor anglais. [4] This movement was later adapted by the jazz arranger Gil Evans for the 1960 album Sketches of Spain by Miles Davis.
The classical guitar, also known as Spanish guitar, [1] is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings.
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.
Tárrega made over 120 transcriptions, including arrangements of Spanish music for the guitar. Composers whose works he arranged include Chopin, Schumann, Schubert, Beethoven, Mozart, and Bach. v
Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco ...
The following is a non-comprehensive list of composers who have composed original music for the classical guitar, or music which has been arranged for it. This list is sortable by name, nationality and years of birth or death.
The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
Pepe Romero was born in Spain, the second son of celebrated guitarist and composer Celedonio Romero, who was his only guitar teacher.His first professional appearance was in a shared concert with his father at the Teatro Lope de Vega, Seville, when Pepe was only seven years old, [1] [2] playing a gavotte by Bach and Sevilla by Albéniz. [3]
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