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Street photography is generally seen as unposed and candid, but there are a few street photographers who interact with strangers on the streets and take their portraits. Street portraits are unplanned portraits taken of strangers while out doing street photography, however they are seen as posed because there is interaction with the subject. [50]
The negligible levels of distortion and color fringing are even further reduced when using this 24mm as a street lens on a DX-format Nikon DSLR, where it gives a more traditional street ...
Fred Herzog D.F.A. (September 21, 1930 – September 9, 2019) was a German-born Canadian photographer, who devoted his artistic life to walking the streets of Vancouver as well as almost 40 countries with his Leica, [1] and various Nikon, Kodak and Canon, photographing - mostly with colour slide film - his observations of the street life with all its complexities.
This is a list of notable street photographers. Street photography is photography conducted for art or enquiry that presents unmediated chance encounters and random incidents [1] within public places. Street photography does not need the backdrop of a street or even an urban environment.
Bruce Gilden (born 1946) is an American street photographer. He is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun. [1] [2] He has had various books of his work published, has received the European Publishers Award for Photography and is a Guggenheim Fellow.
In-Public (sometimes written iN-PUBLiC) is an international group of street photographers that operates as a collective. [1] [2] It was established in 2000 by Nick Turpin with the intention of bringing together like minded photographers to hold exhibitions, produce books and conduct workshops and promote street photography.
Garry Winogrand (/ ˈ w ɪ n ə ɡ r æ n d /; January 14, 1928 – March 19, 1984) was an American street photographer, [1] known for his portrayal of U.S. life and its social issues in the mid-20th century. Photography curator, historian, and critic John Szarkowski called Winogrand the central photographer of his generation. [1]
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